{"id":13,"date":"2015-12-23T03:21:08","date_gmt":"2015-12-23T03:21:08","guid":{"rendered":"http:\/\/www.leocaruso.com.ar\/ingles\/?page_id=13"},"modified":"2021-01-04T22:50:01","modified_gmt":"2021-01-04T22:50:01","slug":"video-audio","status":"publish","type":"page","link":"https:\/\/www.leocaruso.com.ar\/ingles\/portfolio\/video-audio\/","title":{"rendered":"video"},"content":{"rendered":"<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><span style=\"color: #000000;\"><b>Film Music:<br \/><\/b><\/span><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"http:\/\/www.imdb.com\/name\/nm7645070\/?ref_=ttfc_fc_cr3\" target=\"_blank\" rel=\"noopener noreferrer\">IMDB<\/a><\/span><\/span><\/p>\n<p><span style=\"color: #000080; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><strong>Tears\u00a0<\/strong>Robin Vouters y Jon Boutin (USA, 2018)<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">An animated short based on a poem by Walt Whitman. Part of the project \u00abCAMPFIRE POETRY CINEMA\u00bb<\/span><\/p>\n<p><iframe title=\"Tears\" src=\"https:\/\/player.vimeo.com\/video\/271640114?dnt=1&amp;app_id=122963\" width=\"780\" height=\"439\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">Directed by: Robin Vouters y Jon Boutin<br \/>Produced by: Max Rothman at Monticello Park Productions<\/span><br \/><span style=\"font-family: helvetica, arial, sans-serif;\">Animation:\u00a0Jon Boutin.\u00a0Background: Robin Vouters<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">Music composed and produced by: Leo Caruso<\/span><br \/><span style=\"font-family: helvetica, arial, sans-serif;\">Narrated by: P.J. Stoppleworth<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif; color: #000080; font-size: 14pt;\"><strong>Stanzas\u00a0<\/strong>Alicja Jasina\u00a0(USA, 2017)<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">An animated short based on a poem by Aldous Huxley. Part of the project \u00abCAMPFIRE POETRY CINEMA\u00bb<\/span><\/p>\n<p><iframe title=\"Stanzas\" src=\"https:\/\/player.vimeo.com\/video\/259720424?dnt=1&amp;app_id=122963\" width=\"780\" height=\"439\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">Directed by: Alicja Jasina<br \/>Produced by: Max Rothman at Monticello Park Productions<\/span><br \/><span style=\"font-family: helvetica, arial, sans-serif;\">Animation and Design: Alicja Jasina<br \/><\/span><span style=\"font-family: helvetica, arial, sans-serif;\">Music composed and produced by: Leo Caruso<br \/><\/span><span style=\"font-family: helvetica, arial, sans-serif;\">Narrated by: P.J. Stoppleworth<\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"http:\/\/www.monticelloparkprod.com\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.monticelloparkprod.com<\/a><\/span><br \/><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/www.campfirepoetry.com\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.campfirepoetry.com<\/a><\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif;\">Official Selection at: <strong>Les Sommets du Cin\u00e9ma<\/strong> (Montreal International Festival 2017), <strong>New Film Makers<\/strong>\u00a0(New York 2018), <strong>Animation Dingle<\/strong>\u00a0(Ireland 2018), <strong>Athens Animfest<\/strong> 2018 (Athens, Greece) y <strong>The Film and Video Poetry Symposium<\/strong> 2018 (Los Angeles, California).<\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-238\" src=\"http:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/AnimationDingle.jpg\" alt=\"Animation+Dingle\" width=\"100\" height=\"100\" \/> <img decoding=\"async\" class=\"alignnone size-full wp-image-239\" src=\"http:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/AtenasA_Official_Selection_2018.jpg\" alt=\"AtenasA_Official_Selection_2018\" width=\"146\" height=\"100\" \/> <img decoding=\"async\" class=\"alignnone size-full wp-image-240\" src=\"http:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/FVPS_Selection_2018_Blk.jpg\" alt=\"FVPS_Selection_2018_Blk\" width=\"133\" height=\"100\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-241\" src=\"http:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/LesSommetsLaurelscopy-Stanzas-seleci\u00f3n-oficial.jpg\" alt=\"Les+Sommets+Laurels+copy Stanzas seleci\u00f3n oficial\" width=\"121\" height=\"100\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-242\" src=\"http:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/NFLaurels2018New-york.jpg\" alt=\"NF+Laurels+2018New york\" width=\"107\" height=\"50\" \/><\/p>\n<p><span style=\"color: #000080; font-family: helvetica, arial, sans-serif; font-size: 14pt;\"><strong><span class=\"style-scope yt-formatted-string\" dir=\"auto\">Westworld Scoring Competition 2020<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">My participation entry into the <strong>West World Scoring Competition 2020<\/strong>, re-scoring a scene. Organized by HBO and Spitfire Audio.<\/span><\/p>\n<p><iframe title=\"#westworldscoringcompetition2020 By Leo Caruso. Westworld Scoring Competition\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/Qm88CljtmLM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif; font-size: 14pt;\"><span style=\"color: #000080;\"><strong>Todos son mis Hijos <\/strong>Ricardo Soto Uribe (Argentina, 2016<\/span><span style=\"color: #000080;\">)<\/span><\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif; color: #333333;\">Documentary about <strong>Mothers of the Plaza de Mayo<\/strong>, an internationally recognized Human Rights organization.<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif; color: #333333;\">Instrumental composition for the opening and end titles sequences.<\/span><\/p>\n<p><iframe title=\"Preludio para el Fin -Leo Caruso. M\u00fasica para el film -Todos son mis Hijos\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/XtffHRoJruE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-family: helvetica, arial, sans-serif;\">Official Selection at: <b>Les Rendez Vous De L\u2019Histoire<\/b>. (Blois, France), <b>Festival Internacional de Cine de Sulmona. Siff.<\/b> (Italy), I <b>Muestra Internacional de Cine Documental, Central Doc<\/b>. (Tlaxcala Mexico), Secci\u00f3n DDHH, <b>Festival de Cine Latinoamericano de La Plata, Fesaalp<\/b>. (Argentina), <b>Festival Latinoamericano de Cine Independiente de Bah\u00eda Blanca<\/b>, <b>Fecilbba<\/b>. (Argentina), <b>Festival Internacional de Cine Documental de Buenos Aires,<\/b> <b>Fidba <\/b>(Argentina).<\/span><\/span><\/p>\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/Premios-Todos-son-mis-hijos-2.png\" alt=\"\" class=\"wp-image-267\" width=\"604\" height=\"276\" srcset=\"https:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/Premios-Todos-son-mis-hijos-2.png 876w, https:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/Premios-Todos-son-mis-hijos-2-300x137.png 300w, https:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/Premios-Todos-son-mis-hijos-2-768x352.png 768w, https:\/\/www.leocaruso.com.ar\/ingles\/wp-content\/uploads\/Premios-Todos-son-mis-hijos-2-660x302.png 660w\" sizes=\"(max-width: 604px) 100vw, 604px\" \/><\/figure>\n\n\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><span style=\"color: #000000;\"><span style=\"color: #000080;\"><b>Archie<\/b> Martin Zhou (2015, USA)<\/span><br \/><\/span><span style=\"font-size: 12pt;\"><span style=\"color: #000000;\">Award of Recognition, July 2015 at <b>The Indie Fest, Film Awards<br \/><\/b><\/span><span style=\"color: #333333; background-color: #ffffff;\"><a style=\"color: #333333; background-color: #ffffff;\" href=\"http:\/\/theindiefest.com\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/theindiefest.com<\/a><\/span><\/span><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: helvetica, arial, sans-serif;\">Neo\u00a0<i><b>Noir<\/b><\/i>\u00a0short movie by American director Martin Zhou.<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 12pt; font-family: helvetica, arial, sans-serif; color: #333333;\"><i><b>Jazz Noir<\/b><\/i><b> <\/b>and <i><b>Crime jazz<\/b><\/i>.<br \/>Starring: David Ryan, Ran Wei, y Thomas Cokenias.<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"color: #000000; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><b>Archie. Open, The killer scene<\/b><\/span><\/p>\n<p><iframe title=\"Archie. Open, The killer scene\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/RePPKGtsOas?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000000;\"><b>Archie. Mystery Locker Scene<\/b><\/span><\/p>\n<p><iframe title=\"Archie. Mystery Locker Scene\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/7c4I1MYfqGQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000000;\"><b>Archie. The Same Blue Rain &amp; Run for murder scene<\/b><\/span><\/p>\n<p><iframe title=\"Archie. The Same Blue Rain &amp; Run for murder scene\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/kKUuEdwXX9I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000000;\"><b>Archie Transition street scene<\/b><\/span><\/p>\n<p><iframe title=\"Archie Transition street scene\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/n3UZaf2NIPI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000000;\"><b>Archie. Last waltz, end titles<\/b><\/span><\/p>\n<p><iframe title=\"Archie. Last waltz, end titles\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/OInfcvRiFpw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif; font-size: 14pt;\"><span style=\"color: #000080;\"><strong>Braschi TV Color\u00a0<\/strong>Valeria Massimino, Fer Casals\u00a0(Argentina, 2019<\/span><span style=\"color: #000080;\">)<\/span><\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif; color: #333333;\">Feature-length documentary film<\/span><\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/-IZNGwvhUp4\" width=\"660\" height=\"370\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-family: helvetica, arial, sans-serif;\">Official Selection at:\u00a0<strong>First Time Filmmaker Sessions<\/strong> 2020 (UK),\u00a0<strong>Golden Tree International Documentary Festival<\/strong> (Germany),\u00a0<strong>Lift-Off Global Network Sessions 2020<\/strong> (UK),\u00a0<strong>Make Art Not War Teaser Future Film Festival<\/strong> (USA),\u00a0<strong>New York International Film Awards<\/strong> (Ney York, USA), <strong>Festival Internacional de Cine Austral<\/strong>(Argentina)<\/span><\/span><\/p>\n<p><span style=\"color: #000080; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><strong>Thicket<\/strong>\u00a0Annie Martic (Canada 2016)<\/span><\/p>\n<p><span style=\"font-family: helvetica, arial, sans-serif; color: #333333;\">Animated short<\/span><\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/aNgqqbyV0ns\" width=\"660\" height=\"370\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #000080; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><strong>Camille<\/strong> Juan Basantes, Val\u00e9rie Loewensberg (Argentina, 2018)<\/span><\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/hT7cnWagbpg\" width=\"660\" height=\"370\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000080;\"><strong>The Message<\/strong>\u00a0Milana L.Walter (2006,USA)<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 12pt; font-family: helvetica, arial, sans-serif; color: #333333;\">A short film by American filmmaker Milana L.Walter.<br \/>In the form of a <i>docu-drama<\/i><b>, The Message<\/b> tells a story focused on negligence, corruption and accountability of the political power during the last tragedy in the city of <b>New Orleans<\/b>, after the devastating effect of hurricane <b>Katrina<\/b>.<br \/>As this is one of the capital cities of <b>blues music, <\/b>Leo Caruso used different elements of this genre, together with other typical elements in classical suspense movies, to create this soundtrack.<br \/>Starring: Dionne Smith, Yadira Correa, Jason Palmer, Andrew Staton and Brian Bogulski.<br \/>This film has been screened in the <b>Kansas City\u2019s 18th &amp; Vine Blues Festival<\/b> and was an official selection at <b>Black Harvest Film Festival<\/b>.<br \/><a style=\"color: #333333;\" href=\"http:\/\/www.siskelfilmcenter.org\/blackharvest\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.siskelfilmcenter.org\/blackharvest<\/a><\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"color: #000000; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><b>The Message Katrina&#8217;s Blues scene<\/b><\/span><\/p>\n<p><iframe title=\"The Message Katrina&#039;s Blues scene\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/PN1lnonXckI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"color: #000000; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><b>The Message. Scenes 05, 06 &amp; 07<\/b><\/span><\/p>\n<p><iframe title=\"The Message. Scenes 05, 06 &amp; 07\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/i6m96GsuCZw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000000;\"><b>The Message. Final scene and end Titles<\/b><\/span><\/p>\n<p><iframe title=\"The Message. Final scene and end Titles\" width=\"780\" height=\"585\" src=\"https:\/\/www.youtube.com\/embed\/bHUmbnJlsPY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000080;\"><b>Last Notes (Black)<\/b> Dominic DeLay (2005, USA)<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 12pt; font-family: helvetica, arial, sans-serif; color: #333333;\">A feature film by American director Dominic DeLay, starred by <strong>Kaline Carr<\/strong> (well-known for her roles in TV shows like <b>ER<\/b>, and <b>J.J. Abrams\u2019s Alias<\/b>, among others), <b>Last Notes<\/b> is a work made up of a series of four films: <b>Red, Green, Blue <\/b>and<b> Black.<br \/><\/b>Leo Caruso was asked to compose the original music for <b>Black<\/b>, which uses a narration with resources from the 40\u2019s and 50\u2019s <b>Film Noir<\/b>.<br \/>The <b>jazz <\/b>language of the time, the sounds of so-called <i><b>Crime Jazz<\/b><\/i><i>,<\/i><i><b> <\/b><\/i>which was predominant in black and police movies until the end of the 1960s, were the aesthetic elements chosen to compose this movie soundtrack.<br \/>Experimentally treated, the four movies focus on a single topic from different views: a 40-year old actress experiencing an existential crisis and feeling ignored by the industry decides that committing suicide on camera will be her last great performance.<br \/>This film has been screened in festivals since 2006.<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"color: #000000; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><b>Last Notes, Black 3<\/b><\/span><\/p>\n<p><iframe title=\"Last Notes, Black 3\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/J1MgV2sWxaY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000000;\"><b>Last Notes, Black 2<\/b><\/span><\/p>\n<p><iframe title=\"Last Notes, Black 2\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/Dd6bEil5Mno?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt;\"><span style=\"color: #000000;\"><span style=\"font-family: helvetica, arial, sans-serif; color: #000080;\"><b>Football Dreams\u00a0\u00a0<\/b>Ale Corte\/AC Productions (2005, UK)<\/span><br \/><\/span><span style=\"color: #333333; font-family: helvetica, arial, sans-serif; font-size: 12pt;\">Football Dreams, deals with the labor exploitation of minors by big soccer clubs across the world; one of the dark sides of this sport business.<\/span><\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"color: #000000; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><b>Football Dreams Trailer<\/b><\/span><\/p>\n<p><iframe title=\"Football Dreams trailer\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/D381-uGQAEc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif; color: #000080;\"><b>The Cardboard Train<\/b> Ale Corte\/AC Productions (2005, UK)<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 12pt; font-family: helvetica, arial, sans-serif; color: #333333;\">A documentary by filmmaker Ale Corte.<br \/>In this case the director worked with four pieces by Leo Caruso; styles in these pieces range from <b>Impressionism<\/b> in the <i>Eric Satie style<\/i> to <b>electronic tango<\/b> and <b>songs<\/b>.<br \/><b>The Cardboard Train<\/b> focuses on the daily life of the <i><b>cartoneros<\/b><\/i>, the manpower formed by numerous victims of unemployment, as the result of the last Argentine crisis, who recycle the cardboard obtained from the city\u2019s garbage. The movie is starred by a little girl whose parents are <i>cartoneros<\/i>, and who in spite of her tough life keeps those features of hope and innocence that characterize childhood.<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"color: #000000; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><b>The Cardboard Train Trailer<\/b><\/span><\/p>\n<p><iframe title=\"The Cardboard Train Trailer\" width=\"780\" height=\"439\" src=\"https:\/\/www.youtube.com\/embed\/CHZTXAgsS5g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"color: #000080; font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><b>Video game soundtrack:<\/b><\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 14pt; font-family: helvetica, arial, sans-serif;\"><span style=\"color: #000080;\"><strong>Fa\u00e7ade<\/strong><br \/><span style=\"font-size: 12pt;\">Videogame<\/span><br \/><\/span><span style=\"font-size: 12pt;\"><span style=\"color: #000000;\"><span style=\"color: #000080;\">Michael Mateas and Andrew Stern \/ Procedural Arts. (2005, USA)<\/span><br \/><\/span><span style=\"color: #000000;\"><a href=\"http:\/\/www.interactivestory.net\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #333333;\">http:\/\/www.interactivestory.net\/<\/span><\/a><\/span><\/span><\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 12pt; font-family: helvetica, arial, sans-serif; color: #333333;\">Leo Caruso was asked to develop various segments of the incidental music for this game (four composers were involved in the production).<br \/><b>Fa\u00e7ade<\/b> is a unique project that revolutionizes the limits in the field of Artificial Intelligence (AI) and interactive design.<br \/>Defined by <a style=\"color: #333333;\" href=\"http:\/\/www.nytimes.com\/2005\/06\/07\/arts\/redefining-the-power-of-the-gamer.html?_r=2\"><i><b>The New York Times <\/b><\/i><b>as \u201cthe future of videogames\u201d<\/b><\/a>, it was developed as part of a university art\/research experiment in electronic narrative by the Georgia Institute of Technology.<br \/>The premise for the composers was producing an <b>environmental music<\/b> style, seemingly relaxing, but suggesting a subtle touch of restlessness, a sensation of latent, almost unnoticeable discomfort.<br \/><b>Fa\u00e7ade<\/b>\u2019s characters, who seem to be gifted with their own minds, dreams and aims, respond to the player according to the personality that creators Andrew Stern and Michael Mateas have given them.<br \/>The characters do not react to certain grammatical stimulus -as is usually the case in the context of traditional interactive narratives-, rather, islands of sense make a chain with player-generated phrases.<br \/>The game\u2019s main characters behave as flesh and blood individuals facing the actual problem of a couple in conflict.<br \/><b>Fa\u00e7ade<\/b> already has more than a million users.<\/span><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"font-size: 14pt;\"><span style=\"color: #000000; font-family: helvetica, arial, sans-serif;\"><b>Fa\u00e7ade Trailer<\/b><b><br \/><\/b><\/span><\/span><\/p>\n<p><iframe title=\"Fa\u00e7ade\" width=\"780\" height=\"585\" src=\"https:\/\/www.youtube.com\/embed\/o-YPw84PCiw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p class=\"western\" lang=\"en-US\"><span style=\"color: #000000; font-family: helvetica, arial, sans-serif; font-size: 14pt;\">\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Film Music:IMDB Tears\u00a0Robin Vouters y Jon Boutin (USA, 2018) An animated short based on a poem by Walt Whitman. Part&hellip; <a class=\"read-more\" href=\"https:\/\/www.leocaruso.com.ar\/ingles\/portfolio\/video-audio\/\">Leer m\u00e1s <span class=\"screen-reader-text\">video<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/pages\/13"}],"collection":[{"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":45,"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":565,"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/pages\/13\/revisions\/565"}],"up":[{"embeddable":true,"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/www.leocaruso.com.ar\/ingles\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}